One of very few positive outcomes of this war is that the ongoing debate surrounding the participation of female soldiers in combat has been decisively answered. Women are, as the IDF’s Chief of Staff - Herzi Halevi - has said on multiple occasions, an integral part of the military effort. They serve in tanks and in field intelligence posts, as pilots and naval officers, infantry soldiers, engineering specialists, canine handlers, medics and more. In fact, out of the 625 doctors and paramedics operating in Gaza in late December, 73 - more than ten percent - were women. In today's episode we talk to one of them, First Lieutenant Dr. Sharon Gutman Gilor. The end song is Kol Sha'ah Neshika ("Every Hour, A Kiss") by Chava Alberstein. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Sharon Gutman Gilor

There has been endless talk of the “Home Front” during this war. The "Home Front," as in what goes on here in Israel, as opposed to what happens on the battlefield - in the streets and alleyways of Gaza. But, there is - of course - also a home front, or rather many different kinds of home fronts: some are stoic, others less so; some are somehow managing, others not at all. Much to her dismay, Aliza Raz-Melzer's 50-year-old husband Amiad volunteered to go fight. She gave us a glance into her home front. A home front that is conflicted - proud and supportive on the one hand, divided and even furious on the other.The end song is K'She'Ata Kan ("When You Are Here") by Ninet Tayeb. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Aliza Raz-Melzer

We have some truly exciting news: For the first time in almost a decade, we're launching a new podcast. Look for Sipur Yerushalmi wherever you get your podcasts.  Hosted on Acast. See acast.com/privacy for more information.

A Once-in-a-Decade Announcement

Some 350,000 Israelis have been called up to reserve duty since the start of the war, in what has been the largest mobilization in the country’s history. These are people who were plucked out of their homes, families and daily lives, and inserted into a totally different world, one which is in most cases - just to add to the confusion - a mere car ride away. And those transitions back and forth, between the craziness of the frontline and the veneer of normalcy at home, can be dizzying and unsettling. We’re hearing more and more about that juxtaposition now that large numbers of reservists are being released from their service, and are returning to their regular lives. One of them is Noam Tsuriely from Jerusalem. Noam’s a rapper, who recently put out his debut album and had, pre-war, a string of big time gigs all lined up. He was summoned for reserve duty on Oct. 7th, and has spent most of the last four months in Gaza. We spoke to him just as he came out of Gaza, and began his readjustment to civilian life.The end song is Kshenetse Mize ("When We Get Out of This") by Noam Tsuriely, Shachar Nahari, and Eyal Mazig. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Noam Tsuriely

Today's "Wartime Diary" takes us to a place that is, under normal circumstances, one of the most visited sites in the entire country - Jerusalem’s Biblical Zoo, or as it's officially known, 'The Tisch Family Zoological Gardens.' Since the start of the war, the city of Jerusalem has welcomed more than 30,000 evacuees from both the North and the South. With such an influx of people, and especially of kids, there was a real need to create new programming and activities. The Jerusalem Foundation stepped in and launched “Double Impact,” an initiative that sent tens of thousands of evacuees (as well as the city’s school children) to various cultural and recreational institutions such as museums, theaters, the aquarium and, of course, the zoo. The result benefitted not only the kids themselves, who got a day of fun and enrichment, but also the city's struggling institutions. The end song is Noah by Matti Caspi. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Maya German and Benjamin Fainsod

The war has been going on for over three months, and many of us have settled into some sort of altered routine, a "new normal." But there are hundreds of thousands of people, possibly millions, for whom nothing is normal. Hugo (Uri) Wolaj of Kibbutz Be’eri is one of them: everything about his life - his job, his friends, his family, his parenting style, everything - changed on October 7th. Uri spent more than 20 hours that day hiding with his wife and daughters in the safe room. They were evacuated to a Dead Sea hotel in the early hours of October 8th and have been there ever since. But last week he returned to Be’eri, for a rare and eerie visit to his own home.The end song is Lo Levad ("Not Alone") by Jane Bordeaux. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Hugo (Uri) Wolaj

Today is the hundredth day of the war. And, though our Wartime Diaries series continues, we want to stop, mark this day and share 100 seconds of the many voices we’ve been hearing among - and around - us, since October 7th.  Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: 100 Days

Upwards of $1 billion in donations have been sent to Israel since the start of the war. For years Charlene Seidle, the Executive Vice President of the San Diego-based Leichtag Foundation, has been at the forefront of the Jewish philanthropic world. While the Leichtag Foundation supports various causes in the States and in Israel, their main local focus is bridging social and economic gaps in Jerusalem. They’ve given life to hundreds of grassroots initiatives and have created the ‘Jerusalem Model’ - a diverse network of social entrepreneurs, activists and leaders from all sectors around town - Jews, Muslims, Christians, religious, secular, etc. Since Charlene and her team have been nurturing and cultivating these relationships for so long, they were particularly well-situated to understand the needs on the ground in the immediate aftermath of October 7th.The end song is San Diego by Elisha Banai and the Forty Thieves.Image courtesy of the Leichtag Foundation’s Jerusalem Philanthropic Initiatives. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Charlene Seidle

The war has brought many new people into the limelight: For nearly three months we've been hearing countless stories of casualties, hostages, survivors and family members, many of whom have entered our hearts and never left. In some cases we feel like we’ve gotten to know these unsung heroes personally. One of the first big stories of the war, in that initial crazy week after October 7th, was that of 30-year-old Sagi Golan from Herzliya - a decorated officer in an anti-terrorism unit, who was killed in action in Be’eri in the early hours of October 8th. His story made headlines because Sagi was supposed to have married his partner, Omer Ohana, two weeks later, and his death brought to the fore - once again - the matter of the army and LGBTQ rights. Though the IDF has recognized same-sex partners of fallen soldiers as being eligible for full financial and emotional support since the mid-1990s, the matter had never been enshrined in law. So in the weeks after Sagi’s death, Omer led a successful campaign to legally secure the rights of same-sex and common law partners of fallen soldiers. The end song is Zachiti Le'ehov ("I Won The Privilege to Love") by Ivri Lider. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Omer Ohana

It’s a sad Christmas Eve in Jesus’ homeland. The alleyways of Jerusalem’s Old City, the streets of Nazareth, the churches of Bethlehem - all usually bustling with countless pilgrims and tourists from all over the world - are largely empty. There are no trees, no stars, no sparkling lights. Christmas has essentially been canceled, and not just as a figure of speech: Back in November, the patriarchs and heads of practically all the local Christian denominations issued a decree calling upon their flocks to forgo any public celebration of the holiday in solidarity with the victims of the war. But there is one man who simply cannot accept the idea of a Christmas-less year. And that man is Issa Kassissieh. The end song is Santa Klaus Higiya Le'Azza ("Santa Klaus has come to Gaza") by Shir Peled. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Issa Kassissieh

More than 200,000 Israelis - from both the South and the North - have been forced to leave their homes since the start of the war. Some have relocated to hotels or kibbutzim, others have opted to move in with family or friends, or else even rent apartments in entirely new surroundings. In today's episode we get a glimpse of what that reality feels like. Shira Masami is one of nearly 30,000 residents who have left the southern city of Sderot - a city which suffered a horrendous attack on October 7 - and who are now dispersed around the country. The end song is Maaleh Avak ("Raising Dust") by Teapacks. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Shira Masami

Stories are the strongest way to connect. To understand. To care.Under normal circumstances we’d create some sort of polished appeal, but obviously these are not normal circumstances.If what we do has been helpful, or you think it is important, please support us and share our show with friends and family.From the bottom of our hearts, thank you. Hosted on Acast. See acast.com/privacy for more information.

We Need to Talk

Since the start of the military operation in Gaza, countless reports by journalists embedded with the IDF troops have appeared in the Israeli media. But there was one eight-and-a-half minute-long TV broadcast that aired on Kan - the Israeli Public Broadcasting Corporation - that stood out. In it, Riyad Ali, a 61-year-old Druze journalist from the town of Maghar in the Galilee, accompanied soldiers from the Golani Brigade who were operating in the Zeitun neighborhood of Gaza City. He spoke to a bunch of them, including one shy officer, Yussef, who just so happened to also be Druze. It was a pretty standard interview, but at some point something unusual happened: Unsatisfied, perhaps, with the officer’s guarded answers, Riyad took the mic and launched into an on-air monologue. He spoke from the depths of his heart about the discrimination the Druze population faces and reminded viewers that the Declaration of Independence promised all Israeli citizens equal rights, irrespective of race, religion or sex. Despite the Druzes’ loyalty, he went on, and despite the fact that six Druze soldiers have been killed since the start of the war, they still feel like second class citizens. That clip went viral. Riyad’s courage to speak up surprised and touched many Israelis, who are - these days - accustomed to a more patriotic tone on the news. But when he chose, in what seemed like a spur of the moment decision, to go public with his more complex views, Riyad wasn’t only speaking as a member of the Druze minority. He was also speaking as a man who, nineteen years ago, was himself kidnapped by Hamas in Gaza.The end song is Nus Nus ("Half-Half") by Noam Tsuriely. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Riyad Ali

As has been said many times in the past, identity is like an onion: There are layers of family and country, religion and political persuasions, favorite sports teams, musical preferences and on and on. But for many, such as 23-year-old Adam Ben Shabath, it is their hometown which stands at the center of it all. And now, as a result of the war, Adam's village of Neve Shalom/Wahat as-Salam - with its unique population and delicate equilibrium - is being torn at the seams. Residents are questioning long-held truths - some have shifted their views, while others continue to hold firm or have even doubled down. Adam shares his own private take on the matter.The end song is Ahava Kazu ("Love Like This") by Amir Abu and Tzlil Shakuri. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Adam Ben Shabath

As of today, more than 400 Israeli soldiers have been killed in the war. Each one of those deaths, of course, not only marks the end of a life, but also shatters a family, a community, a tribe. And that ripple effect, that communal grieving, was palpable following the death of reservist Yossi Heshkovitz, the 44-year-old Principal of the Religious Zionist Pelech School for Boys in Jerusalem, who was killed on Friday, November 10th. Like Yossi, his dear friend and colleague Shalom Weil, has devoted his life to education. Over the years Shalom has taught, founded schools and served as a principal. And ever since the war broke out he’s been working tirelessly to build educational frameworks for those impacted by it most - the families of victims, survivors, evacuees. We however asked him to come into the studio not to talk about his own admirable work, but rather about his soulmate, Yossi, who had replaced him as the Principal of the Pelech School for Boys. The end song is Blues Cnaani ("Canaanite Blues") by Ehud Banai. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Shalom Weil

Many of you have probably heard, or read about, Rachel Goldberg and Jon Polin, the parents of 23-year-old Hersh Goldberg-Polin, who was kidnapped from the Nova Party. In many ways they’ve emerged as the face of the hostage families - they’ve met with Biden and the Pope, they were on the cover of Time Magazine, Rachel has spoken at the UN and at the ‘March for Israel’ Rally in Washington D.C. And in all those places, as well as in countless other interviews, speeches and meetings, they’ve told the heartbreaking tale of the two text messages Hersh sent on the morning of October 7th, one saying “I love you” and the other “I’m sorry.” He wrote those messages from within a shelter, where he was hiding with 28 other partygoers. Eighteen of them were killed, and Hersh - whose left arm was blown off - was badly wounded. Shortly thereafter, Hersh and three others from the shelter were loaded onto Hamas pickup trucks and taken into Gaza. It has now been 55 days.The end song is Tefilat Haderech ("The Traveler's Prayer") by Shai Tsabari. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Rachel Goldberg and Jon Polin

Last week, our host Mishy Harman was interviewed by Rabbi Elliot Cosgrove for the Park Avenue Synagogue Podcast. And as this is, in a way, Mishy's wartime diary, we decided to share it with our listeners too. Today is Giving Tuesday, and we really need your support. As you probably know, almost as soon as the war began, we pivoted our entire operation and launched our Wartime Diaries series, in which we bring you voices that try to capture slivers of life right now. These episodes reach the largest number of listeners we’ve ever known, and we are extremely touched by the outpouring of love coming our way. If you feel that - in some small way - we have helped you get through these terrible weeks, if our episodes have given you some comfort, or hope, or understanding, please go to our website - www.israelstory.org - and help us continue doing what we do. Thank you from the bottom of our hearts, and may we all know quiet and calm days to come. The end song is Abba Sipur ("Story Father") by Miki Gavrielov. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Elliot Cosgrove and Mishy Harman

This war is a humbling experience for us all. People — no matter who they are or what they normally do — are simply trying to pitch in wherever they can. We’ve thus seen ex-generals jump into their private cars and go save civilians from the carnage of October 7th, former ministers and senior politicians volunteer to pick cherry tomatoes on farms near Gaza, and rock stars jam for a single soldier on an army base.Likewise, Doron Krakow — the President and CEO of the JCC Association of North America, who in normal times runs an organization that employs tens of thousands of professionals — immediately got on a plane and came to Israel in order to do one thing: Be a grandpa.The end song is "America" by Berry Sakharof and Rami Fortis. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Doron Krakow

Almost immediately after the start of the attack of October 7th, as rockets were being launched at Jerusalem, and sirens sent the city’s one million residents into shelters, the heads of the Israel Museum initiated an emergency protocol for the first time since the Gulf War in 1991.The idea was to protect the nation’s most priceless cultural and historical treasures, the building blocks of our collective identity. The very first step of that protocol was to secure the Museum’s most prized possession, its indisputable star, its “Mona Lisa” – the Dead Sea Scrolls.Of all the estimated 500,000 treasured items in the Museum’s collections, from Monets to Picassos, from the Chalcolithic hoard of Nahal Mishmar to the House of David inscription from Tel Dan, it was the 2200-year-old scrolls that were packed up and rushed into the museum’s most protected safe. And it was Hagit Maoz, the Curator of the Shrine of the Book where the scrolls are normally housed, who was tasked with this delicate operation.The end song is Imperiot Noflot Le'at ("Empires Fall Slowly") by Dan Toren and Hemi Rudner. Hosted on Acast. See acast.com/privacy for more information.

Wartime Diaries: Hagit Maoz

In the summer of 2005, the government of Israel unilaterally withdrew from Gaza. The roughly 8,000 residents of the 21 Jewish settlements within the Gaza Strip were forced to leave their homes and their communities, which – for decades – they had actually been encouraged and incentivized to inhabit.The move brought the country to the brink of a civil war. This was especially palpable in the tense relations between the residents of Gush Katif (as the main block of Gaza settlements was known) and their neighbors from the other side of the fence — the largely left-leaning residents of the kibbutzim of Otef Azza, all the same kibbutzim that — eighteen years later — suffered most in the Hamas attack of October 7th.Now, many of the former residents of the Gaza settlements who never stopped dreaming of returning to the sand dunes of the Strip feel at least partially vindicated. Had their communities not been dismantled back in 2005, they claim, the army would have still been in Gaza, and none of this calamity would have occurred. One such voice is that of 63-year-old Datya Itzhaki, who used to live in the Gush Katif settlement of Kfar Yam.The end song is Imma Im Hayiti ("Mom, If I Could") by Hanan Ben Ari. Hosted on Acast. See acast.com/privacy for more information.

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