As a teenager, my only interaction with the world of webcomics was Achewood. Launched in 2001 and published sporadically ever since, Achewood is like Seinfeld crossed with Adult Swim. It felt for me in the early 2000s like this lone, weird thing.
A few years later, around when I got my first writing gig, I realized how much bigger webcomics were than the stories of Téodor and Cornelius. I inevitably came across Penny Arcade and the rush of video game-inspired webcomics its inspired. And after that, I found people on Twitter and Tumblr and other platforms, all of whom created beautiful, weird, powerful art. It took me awhile to get into webcomics, but the gradual epiphany is one of the internet’s great pleasure. You look at one star in the sky, and as your eyes adapt to the darkness, you discover this dot is part of a crowded constellation.
This week, I invited my friend, colleague, and webcomic artist Dami Lee to talk about the format. Webcomics literally changed the direction of her life.
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The agony and the ecstasy of life as a webcomic artist

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